A Guide to Martin's Standard Series Acoustic Guitars

As the oldest guitar manufacturer in the U.S., Martin Guitar has been at the core of the evolution of the modern acoustic guitar. Since C.F. Martin founded the company in New York City in 1833—later moving it to its current home in Nazareth, Pennsylvania—the name has stood for quality craftsmanship and superb tone. Though the range of models they make has expanded over the decades, the acoustic guitars of the Standard Series have been the rock behind the reputation.

We've talked about Martin's illustrious history before, most notably in our guide to the Martin D-28, so we won't do a deep dive here. We would say though, it's extraordinary that a single family, over more than 190 years, still is at the cutting edge of acoustic guitar design and manufacturing, reliably putting great guitars in the hands of players worldwide.

Pictured: Martin D-18 Dreadnought Acoustic Guitar

One need only look at the range of players and performers over the last century who have relied on Martin guitars as their primary—sometimes only—instrument to start to grasp the impact Martin has had on the sound and image of the acoustic guitar. From Woody Guthrie’s 1936 000-18 and Hank Williams’ D-28 (later owned by Neil Young) to Young’s own D-45 and Willie Nelson’s well-worn N-20 nylon string, “Trigger,” some of the most memorably moving songs of the past century have been written on a Martin acoustic. And that tradition continues, with artists like John Mayer, Dylan Gossett and Valerie June making sure Martin continues to carry the torch.

Table of Contents

Martin Standard Series Comparison Chart
Martin Standard Series Guitars
Martin Artist Signature Models
Pick Your Martin

Martin Standard Series Comparison Chart

Here's a convenient way to look at the primary feature differences between the various Martin Standard Series acoustic guitars. Before we get to the chart, though, we'd like to call out some of the things that all of these guitars have in common:

• All Standard Series Martins have solid Sitka spruce tops and solid mahogany necks

• All back and side woods are solid

• Fingerboards are all solid ebony with 20 frets (14 frets to the body)

Pictured: Martin 000-28 Acoustic Guitar in Ambertone

We'll also note that generally mahogany back and sides, as with the 000-18 and D-18, tend to have a little warmer sound, where Indian rosewood back and sides will be a little brighter and project a little better. Since wood is a natural material, there's no specific numbers that can be put on those differences, therefore each guitar is as individual as its player.

Finally, a word about bracing. You'll notice a few different bracing types here: Scalloped, non-scalloped and forward-shifted bracing, plus Martin’s proprietary Tone Tension bracing. So, what are the differences?

• Scalloped bracing makes the braces lighter and the top more responsive.

• Non-scalloped bracing makes a stiffer top.

• Forward-shifted bracing moves the crosspoint (the "X") of the bracing closer to the bridge. This opens up more of the top to resonate fully, increasing bass response and volume.

• Tone Tension is an exclusive design to Martin that is asymmetric and is designed specifically for their SC acoustic-electrics. In addition to tweaking the tonal response of the top to optimize it for "plugged-in" use, it helps guard against feedback.

So, with all that out of the way, here's that comparison of the Standard Series models to help you pick the best Martin acoustic guitar for your needs:

Guitar Model	Back/Side Woods	Body Size/Style	Neck Profile	Bracing Pattern	Onboard Electronics
OM-28	East Indian Rosewood	Orchestra	Golden Era Modified Low Oval, High Performance Taper	Scalloped Golden Era X-Bracing	No
OM-45	East Indian Rosewood	Orchestra	Golden Era Modified Low Oval, High Performance Taper	Scalloped Golden Era X-Bracing	No
000-18	Mahogany	Auditorium	Modified Low Oval, High-Performance Taper	Scalloped X-Bracing	No
000-28	Indian Rosewood	Auditorium	Modified Low Oval, High-Performance Taper	Scalloped X-Bracing	No
J-40	East Indian Rosewood	Jumbo	Golden Era Modified Low Oval, High Performance Taper	Forward-Shifted Scalloped Golden Era X-Bracing	No
D-18	Mahogany	Dreadnought	Modified Low Oval, High-Performance Taper	Scalloped X-Bracing	No
Super D-18	Mahogany	Super D	Modified Low Oval, high-performance taper	Forward-shifted Golden Era scalloped X-bracing	No
D-28	Indian Rosewood	Dreadnought	Modified Low Oval, High-Performance Taper	Forward-Shifted Non-Scalloped X-Bracing	No
HD-28	Indian Rosewood	Dreadnought	Modified Low Oval, High-Performance Taper	Forward-Shifted Non-Scalloped X-Bracing	No
Super HD-28	Indian Rosewood	Super D	Golden Era Modified Low Oval, high-performance taper	Forward-shifted Golden Era scalloped X-bracing	No
D-28 Street Legend	Indian Rosewood	Dreadnought	Modified Low Oval, High-Performance Taper	Non-Scalloped X-Bracing	No
SC-28E	Indian Rosewood	SC Body Style	Low Profile Velocity Neck	Tone Tension Assym. Bracing	L.R. Baggs Anthem
D-35	Indian Rosewood	Dreadnought	Modified Low Oval, High-Performance Taper	Forward-Shifted Non-Scalloped X-Bracing	No
D-41	Indian Rosewood	Dreadnought	Modified Low Oval, High-Performance Taper	Forward-Shifted Non-Scalloped X-Bracing	No
D-42	Indian Rosewood	Dreadnought	Modified Low Oval, High-Performance Taper	Forward-Shifted Non-Scalloped X-Bracing	No
D-45	Indian Rosewood	Dreadnought	Modified Low Oval, High-Performance Taper	Forward-Shifted Non-Scalloped X-Bracing	No

Martin Standard Series Guitars

This series comprises the acoustics that Martin built its reputation on—for tone, for craftsmanship, for playability. Whether you're looking for a smaller-body instrument for fingerpicking and strumming or a dreadnought that will be heard over the din, if the time has come that you want to step up to a Martin acoustic, one of these is a great place to start.

Martin OM-28 Orchestra

What to Know:

• The iconic Orchestra Model s a versatile choice for both fingerstyle work and strumming.

• Its 25.4" scale helps produce clear articulation, solid bass, rich midrange overtones and sparkling highs across all six strings.

• A satin Golden Era neck, thinner fingerboard and beveled fretboard edges provide a comfortable feel, while timeless appointments keep the look classically Martin.

Shop Now: Martin Standard Series OM-28 Orchestra Acoustic Guitar

The Martin OM-28, also known as the Orchestra Model, debuted in 1929 and was designed for acoustic guitarists performing in ensembles. Its organically resonant body produces solid bass, rich midrange overtones and sparkling highs across all six strings, and its voice complements practically any musical style. Outfitted with a satin Golden Era neck and a thinner, beveled-edge fretboard, the OM-28 offers comfortable playability, whether you’re holding down the rhythm or picking out soulful melodies.

Martin OM-45 Orchestra

What to Know:

• The OM-45 is an heirloom-quality instrument that represents the pinnacle of Martin craftsmanship in a standard Orchestra Model format.

• Its 25.4-inch scale provides firm string tension and clear articulation, while its spruce-and-rosewood construction produces an airy, full-bodied voice with singing sustain.

• Beveled fretboard edges and refined string spacing support comfortable playability, while lavish Style 45 appointments make it equally compelling to serious players and collectors.

Shop Now: Martin Standard Series OM-45 Orchestra Acoustic Guitar

The Martin OM-45 is a finely handcrafted acoustic guitar for serious players and collectors that showcases the brand’s unwavering attention to detail. A joy to view and play, the OM-45 marries classic appointments with modern refinements and generates a full-bodied sound supported by robust resonance and singing sustain. Effortlessly playable and visually striking, the Martin OM-45 acoustic appeals to discerning guitarists eager to cherish a stunning instrument for a lifetime.

Martin 000-18 Auditorium

What to Know:

• The compact 000 body is comfortable to hold and delivers excellent balance for fingerpicking, general strumming and a wide range of musical styles.

• A solid Sitka spruce top with solid mahogany back and sides gives the 000-18 a warm, focused voice with clear note definition.

• Its Modified Low Oval neck with High-Performance Taper brings a more contemporary feel to a simple, vintage-inspired Martin design.

Shop Now: Martin Standard Series 000-18 Auditorium Acoustic Guitar

The Martin 000-18 blends basic vintage appeal with modern playability. Featuring a solid Sitka spruce top and solid genuine mahogany back and sides, the auditorium-sized body delivers a warm, balanced tone that's perfect for fingerstyle players like John Fahey, who frequently chose a 000-18 for performances. Its modified low-oval neck with high-performance taper ensures comfortable playability across the fretboard, making it a versatile choice for a wide range of musical styles.

Martin 000-28 Auditorium

What to Know:

• The ergonomically compact 000 body offers a balanced, articulate response that works equally well for fingerpicking and strumming.

• A solid Sitka spruce top and East Indian rosewood back and sides produce rich tone, clear highs and strong projection.

• The comfortable Golden Era Modified Low Oval neck profile and understated appointments blend contemporary playability with classic Martin elegance.

Shop Now: Martin Standard Series 000-28 Auditorium Acoustic Guitar

A timeless classic reimagined, the Martin 000-28 offers the rich tones of a solid Sitka spruce top paired with East Indian rosewood back and sides. This legendary instrument is perhaps best known for its use in Eric Clapton's performance on MTV Unplugged. The auditorium body size provides a balanced sound with clear articulation, ideal for both strumming and fingerpicking. With the understated elegance of its appointments, comfortable neck profile and clear, concise tone, this guitar embodies the legacy of Martin craftsmanship.

Martin J-40 Jumbo

What to Know:

• The tight-waisted jumbo body delivers substantial volume and projection, with a more focused response than a broad-waisted jumbo.

• A spruce top, East Indian rosewood back and sides and forward-shifted scalloped bracing yield powerful lows, smooth mids and crystalline highs.

• An abalone rosette, bound fingerboard and hexagon inlays give the J-40 a refined appearance that contrasts with its bold voice.

Shop Now: Martin Standard Series J-40 Jumbo Acoustic Guitar

The Martin J-40 is a highlight of the Standard Series lineup, featuring a tight-waisted jumbo body and luxurious cosmetic details, such as an abalone rosette, fingerboard binding and hexagon inlays. Sonically, the J-40 offers substantial volume and projection for the studio and stage, conveying powerful lows, smooth mids and crystalline highs suited to every mix. This is an exceptional acoustic guitar for performing and recording artists who value big tone and stylish appointments in their instrument.     

Martin D-18 Dreadnought

What to Know:

• The D-18 delivers the power and projection of a Martin dreadnought with the warmth, punch and clarity of mahogany back and sides.

• A solid Sitka spruce top and forward-shifted scalloped X-bracing enhance volume, bass response and dynamic range.

• The GE Modified Low Oval neck with High-Performance Taper narrows toward the upper frets, while black binding, an Old Style 18 rosette and inlays, a faux-tortoise pickguard and open-gear tuners define its understated appearance.

Shop Now: Martin Standard Series D-18 Dreadnought Acoustic Guitar

The Martin D-18 Standard brings a legendary sound to today's players and has been the choice of artists ranging from bluegrass legend Clarence White to Kurt Cobain. Its dreadnought body, constructed with a solid Sitka spruce top and genuine mahogany back and sides, produces a powerful, resonant tone with crisp highs and robust lows, making it one of the best-reviewed dreadnought acoustic guitars available. The forward-shifted scalloped X-bracing enhances its dynamic response, while the high-performance neck taper offers effortless playability for any style.

Martin Super D-18

What to Know:

• With 20% more internal air volume than a standard dreadnought, the Super D-18 produces greater bass response and increased projection.

• Its solid spruce top and mahogany back and sides retain the warmth and punch associated with the classic D-18, while an ebony bridge and fingerboard add crispness and articulation

• Black binding and abalone dot inlays round out the classic understated looks of the 18 series, and a satin-finished neck provides an easy playing feel.

Shop Now: Martin Super D-18 Dreadnought Acoustic Guitar

If you prefer the D-18—the more scrappy, free-spirited “little sibling” of the D-28—but are craving something brawnier in every way, Martin purpose-built the Super D-18 with you in mind. It’s everything you love about Martin build quality and the classic spruce top/mahogany back and sides pairing of the D-18, but in a bigger body. And it doesn’t take a doctorate in acoustical engineering to know what that means: more bass, more projection and more making your voice heard throughout the room.

Martin D-28 Dreadnought

What to Know:

• The D-28 is a benchmark acoustic, combining a solid Sitka spruce top with East Indian rosewood back and sides for a rich, full-bodied and projecting voice.

• Forward-shifted non-scalloped X-bracing provides a strong, balanced tonal foundation with controlled power across the frequency range.

• A Golden Era Modified Low Oval neck with High-Performance Taper updates the playing feel, while understated styling and a chainlink back strip preserve its postwar character.

Shop Now: Martin Standard Series D-28 Dreadnought Acoustic Guitar

An icon reborn, the Martin D-28 combines classic design with modern enhancements, making it one of the most popular choices for acoustic players and singer/songwriters like Joni Mitchell and John Prine. The solid Sitka spruce top and East Indian rosewood back and sides create the rich, full-bodied sound that has defined the D-28 for generations. Its non-scalloped forward-shifted bracing provides a balanced tonal foundation, and the updated neck profile ensures a comfortable playing experience for contemporary musicians. Our favorite aesthetic touch is the "chainlink" back stripe reminiscent of the post-WWII instruments—classic and elegant.

For a deeper dive into the history of the D-28 and Martin's current D-28 offerings, be sure to check out A Guide to the Martin D-28.

Martin HD-28 Dreadnought

What to Know:

• The HD-28 pairs prewar-inspired herringbone trim and back strip details with the comfortable playability expected from a modern Martin.

• Its solid Sitka spruce top and East Indian rosewood back and sides deliver the rich, balanced voice associated with the D-28 family.

• Forward-shifted scalloped X-bracing frees the top to respond more dynamically, adding bass response, volume and tonal complexity.

Shop Now: Martin Standard Series HD-28 Dreadnought Acoustic Guitar

The Martin HD-28 is a nod to the pre-war era of acoustic excellence. With herringbone top trim and a solid Sitka spruce top, this guitar offers vintage aesthetics and sound and is the choice of artists like Father John Misty and Vince Gill. The East Indian rosewood back and sides, combined with forward-shifted scalloped X-bracing, deliver a rich, dynamic tone with enhanced bass response. It's an instrument that captures the essence of Martin's storied heritage.

Martin Super HD-28

What to Know:

• The Super HD-28 increases internal air volume by 20% over a standard dreadnought, producing greater projection and low-end authority while maintaining tonal balance.

• A solid spruce top and East Indian rosewood back and sides deliver a complex, powerful take on the rich, balanced HD-28 voice.

• Herringbone trim, antique white binding, diamond-and-square inlays, nickel open-gear tuners and a dovetail neck joint give it heirloom-worthy detail and construction.

Shop Now: Martin Super HD-28 Dreadnought Acoustic

When something is as great as the tried-and-true D-28, more is always better, right? Let the larger-than-life Super HD-28 answer that question for you. Its solid spuce top and East Indian rosewood body tonewood combination sings that familiar D-28 song with more projection and low-end gusto than ever before, with an impeccably balanced sonic signature. An heirloom-worthy piece, it’ll age like fine wine—its complex sound opening up with time.

Martin D-28 Street Legend Dreadnought

What to Know:

• The Street Legend’s distressed finish gives it the broken-in visual character of a well-traveled stage instrument.

• A solid Sitka spruce top and East Indian rosewood back and sides deliver a bold, balanced and resonant voice.

• Non-scalloped X-bracing keeps the response controlled and structurally robust, making this a strong fit for players who want classic tone with an aged aesthetic.

Shop Now: Martin D-28 Street Legend Acoustic Guitar

Inspired by the well-worn guitars of seasoned performers, the Martin D-28 Street Legend boasts a distressed finish that tells a story. Its solid Sitka spruce top and East Indian rosewood body produce the iconic D-28 sound—bold, balanced and resonant. The non-scalloped X-bracing maintains structural integrity while allowing the top to vibrate freely, making it a reliable companion for any stage.

Martin SC-28E Dreadnought

What to Know:

• The offset SC body, deep cutaway and Low Profile Velocity neck provide exceptional upper-fret access and a playing experience aimed at the more technical single-note player.

• A solid Sitka spruce top and East Indian rosewood back and sides retain a rich, recognizably Martin tonal palette.

• Asymmetric Tone Tension bracing helps manage feedback, while LR Baggs Anthem electronics with TRU-MIC technology and a soundhole tuner make the SC-28E ready for amplified performance.

Shop Now: Martin SC-28E Acoustic-Electric Guitar

Innovative design meets classic tone in the Martin SC-28E. Featuring a revolutionary offset body shape with a deep cutaway, this guitar offers unparalleled access to the higher frets. Its Low Profile Velocity neck enhances playability, catering to the demands of modern guitarists. The solid Sitka spruce top and East Indian rosewood back and sides provide a rich tonal palette, while the L.R. Baggs Anthem electronics with their TRU-MIC technology and a built-in soundhole tuner make it stage-ready. Country music's Jason Isbell, who also has a signature D-18, chooses the SC-28E for his live performances.

Martin D-35 Dreadnought

What to Know:

• The D-35’s distinctive three-piece East Indian rosewood back contributes visual character and a deep, complex low end.

• A solid Sitka spruce top and forward-shifted non-scalloped X-bracing produce a strong, balanced voice with clear trebles, punch and projection.

• Its High-Performance Taper provides comfortable playability for players seeking a robust, versatile variation on the classic Martin dreadnought sound.

Shop Now: Martin Standard Series D-35 Dreadnought Acoustic Guitar

The Martin D-35 boasts a distinctive three-piece East Indian rosewood back, delivering a unique tonal complexity. Paired with a solid Sitka spruce top, this acoustic dreadnought offers deep bass and clear trebles. The choice of artists from Bruce Springsteen to Seth Avett of the Avett Brothers, the D-35 has both punch and nuance. The non-scalloped forward-shifted bracing provides a strong tonal foundation, and the high-performance neck taper ensures comfortable playability. It's a classic choice for those seeking a robust and versatile acoustic voice.

Martin D-41 Dreadnought

What to Know:

• The D-41 combines Martin dreadnought power with refined visual details, including an abalone rosette and abalone top trim.

• A solid Sitka spruce top and East Indian rosewood back and sides create a rich, resonant voice with clarity and projection.

• Forward-shifted scalloped X-bracing enhances dynamic response, making the D-41 a premium choice for players who want both expressive tone and elevated craftsmanship.

Shop Now: Martin Standard Series D-41 Dreadnought Acoustic Guitar

Elegance meets exceptional sound in the Martin D-41. Adorned with intricate abalone inlays and a solid Sitka spruce top, this guitar is as visually stunning as it is tonally impressive. Guitar virtuosos like Tommy Emmanuel and Billy Strings have seen with a D-41 in performance. The East Indian rosewood back and sides, along with forward-shifted scalloped X-bracing, deliver a rich, resonant tone with plenty of projection. It's a premium instrument that embodies Martin's commitment to excellence.

Martin D-42 Dreadnought

What to Know:

• The D-42 balances vintage-inspired Martin style with enhanced playability and a bold, full-bodied dreadnought voice.

• A solid Sitka spruce top, East Indian rosewood back and sides and forward-shifted scalloped X-bracing deliver warmth, clarity, projection and dynamic response.

• Extensive abalone detailing and premium appointments distinguish it for discerning players who value visual artistry as highly as sonic performance.

Shop Now: Martin Standard Series D-42 Dreadnought Acoustic Guitar

The Martin D-42 offers luxurious appointments and superior sound quality. Featuring extensive abalone trim and a solid Sitka spruce top, it's a feast for the eyes and ears. The frequent choice of players like John Mayer and Paul McCartney, the combination of East Indian rosewood and forward-shifted scalloped X-bracing results in a warm, full-bodied tone with exceptional clarity. This guitar is designed for the discerning player who values both aesthetic beauty and sonic performance.

Martin D-45 Dreadnought

What to Know:

• The D-45 sits at the pinnacle of the Standard Series, combining top-tier Martin craftsmanship with lavish Style 45 appointments.

• A solid Sitka spruce top and East Indian rosewood back and sides produce a rich, balanced voice both powerful and nuanced.

• Forward-shifted scalloped X-bracing supports exceptional projection and dynamic response, while full-body binding and extensive abalone pearl inlay create its unmistakable presentation.

Shop Now: Martin Standard Series D-45 Dreadnought Acoustic Guitar

At the pinnacle of the Standard Series, the Martin D-45 is the epitome of craftsmanship. Lavishly decorated with abalone pearl inlay on every border, it exudes elegance. From Gene Autry, who helped make the D-45 famous, to contemporary players like Marty Stuart, players choose the instrument for its solid Sitka spruce top and East Indian rosewood back and sides which create a rich, balanced tone that is both powerful and nuanced. With its forward-shifted scalloped X-bracing, this acoustic guitar offers a dynamic response suitable for the most expressive performances.

Martin Artist Signature Models

Comparing Martin Artist Signature Guitars

Artist model	Back/side woods	Body size/style	Neck profile	Bracing pattern	Onboard electronics
Billy Strings Signature D-28	East Indian rosewood	D-14 Fret dreadnought	Modified Low Oval, standard taper	Golden Era scalloped X-bracing	No
000-28EC Eric Clapton	East Indian rosewood	000-14 Fret auditorium	Modified V, standard taper	Scalloped X-bracing	No standard electronics; optional from Martin
000-42 Ziricote Eric Clapton	Ziricote	000-14 Fret auditorium	Authentic 1939	Golden Era scalloped X-bracing	No
D-18 Molly Tuttle	Mahogany	D-14 Fret dreadnought	Authentic 1940s/1941 profile, standard taper	Rear-shifted Golden Era scalloped X-bracing	No
000-28 Shawn Mendes	East Indian rosewood	000-14 Fret auditorium	GE Modified Low Oval, High-Performance Taper	Golden Era scalloped X-bracing	No
Special Edition OMJM John Mayer	East Indian rosewood	000-14 Fret/OM	Low Profile	Scalloped hybrid X-bracing	Fishman Gold Plus Natural I
00-18 Joe Bonamassa	Genuine mahogany	00-14 Fret	GE Modified Low Oval, standard taper	Golden Era scalloped X-bracing	No
DX Johnny Cash	HPL	D-14 Fret dreadnought	Performing Artist, High-Performance Taper	Non-scalloped X-bracing	Fishman MX
Custom K-1 Major Kealakai	Sinker mahogany	K-12 Fret	Authentic 1931, standard taper	Authentic 1931 X-bracing	No
Rich Robinson Custom D-28	East Indian rosewood	D-14 Fret dreadnought	1954 Rich Robinson Barrel and Heel, standard taper	Rearward-shifted non-scalloped X-bracing	No

Martin Billy Strings Signature D-28

What to Know:

• A custom 25" scale lowers string tension compared with a conventional long-scale D-28, supporting fast runs and easier bends without shrinking the dreadnought body.

• A solid spruce top, East Indian rosewood back and sides and Golden Era scalloped X-bracing deliver powerful projection, bass response and complexity for bluegrass rhythm or lead work.

• The 1-23/32" nut, Modified Low Oval neck and vintage-style herringbone appointments distinguish it from the core D-28; the D-X2E carries its defining playing dimensions into an amplified, more accessible build.

The Martin Billy Strings Signature D-28 has the cannon-like presence bluegrass players expect from a D-28, but it doesn’t make you wrestle with it. There’s a little more give beneath the fretting hand, so rapid runs, hammer-ons and bends come easily, while rhythm chords still land with the weight needed to drive a jam. The neck feels purpose-built rather than generically “vintage,” with enough room for clean picking but no excess width to slow down a player who likes to move.

It is a particularly good fit for someone who wants prewar flavor without committing to prewar ergonomics—or who moves between traditional bluegrass and more exploratory acoustic playing the way Strings does. The Billy Strings Signature D-X2E preserves the most important part of that experience—the distinctive scale and neck dimensions—in a tougher, stage-ready guitar that is easier to take everywhere.

Martin 000-28EC Eric Clapton

What to Know:

• The short 24.9" scale and compact 000 body provide a supple response that suits fingerstyle playing, precise strumming and expressive bends.

• A spruce top, East Indian rosewood back and sides and scalloped X-bracing create a balanced voice with clear highs, rich overtones and strong note-to-note definition.

• The 1-3/4" nut and Modified V neck are intentionally traditional and feel more substantial than many of Martin's newer profiles; the 30th Anniversary 000-EC offers a narrower, prewar-inspired alternative.

The Martin 000-28EC Eric Clapton is the kind of acoustic that rewards backing off. Play with a light touch, and individual notes arrive round and clear; lean into a blues turnaround, and the guitar answers with woody mids, a firm low end and just enough rosewood shimmer around the edges. Its compact body sits naturally against you, and the softer string feel makes vibrato and whole-step bends far less of a fight than they can be on a long-scale acoustic.

The V-shaped neck is the dividing line: Players who like a neck to fill the hand may find it grounding and precise, while those accustomed to slim modern profiles should try it before buying. For a different take on the same Clapton vocabulary, the 30th Anniversary 000-EC feels narrower at the nut and leans even further into a prewar-inspired experience.

Martin 000-42 Ziricote Eric Clapton

What to Know:

• Solid ziricote back and sides distinguish the primary model from Clapton’s long-running East Indian rosewood 000-28EC, while an Adirondack spruce top and Golden Era scalloped X-bracing support clarity, projection and dynamic range.

• The 24.9" scale, Authentic 1939 neck, narrow 1-11/16" nut and 000 body combine prewar-inspired feel with the intimate proportions Clapton prefers for stage, studio and practice.

• The Brazilian rosewood version is limited to five natural-finish instruments worldwide, exclusive to Guitar Center and hand-signed by Clapton on both the label and certificate; a significant portion of proceeds benefits the Crossroads Foundation.

The Martin 000-42 Ziricote Eric Clapton is the more extroverted Clapton 000. Where the familiar 000-28EC can feel warm, forgiving and almost conversational, this Custom Shop model should appeal to a player who wants quicker articulation, greater headroom and a little more brilliance around each note. That makes it well suited to nuanced fingerstyle work, but it should also hold its composure when attacked with a pick—the guitar has the intimate feel of a 000 without sounding small or overly polite.

Its neck and string spacing favor players who like a close, vintage-informed fretting-hand feel, and the Style 42 presentation gives the instrument a sense of occasion before the first chord is played. Natural and sunburst ziricote versions offer two visual moods, while the five-piece Brazilian rosewood variation is the no-compromise collector’s choice. The hand-signed materials, Guitar Center exclusivity and benefit to the Crossroads Foundation make all three feel like part of Clapton’s larger story rather than ornamental spin-offs.

Martin D-18 Molly Tuttle

What to Know:

• Inspired by Tuttle’s 1943 D-18, the model uses an authentic 1940s neck profile and 1-11/16" nut for the quick, secure feel she prefers.

• Solid mahogany back and sides and rear-shifted Golden Era scalloped X-bracing emphasize clear fundamentals, punch and separation for articulate flatpicking.

• Moon-phase inlays and vintage-sunburst styling personalize the instrument; the D-X2E reproduces the key playing feel in a more accessible, amplified and climate-resistant format.

The Martin D-18 Molly Tuttle speaks with the clean, dry authority that lets a flatpicker be heard without turning every note into a wash of overtones. Single-note lines have a crisp front edge, bass runs stay defined and hard-strummed chords retain their internal separation—exactly what you want when the guitar has to thread through banjo, fiddle and mandolin. The neck has an old-guitar character, including a hint of V, but its narrow nut keeps it nimble for closed-position work and rapid movement up the board.

This is less a general-purpose luxury dreadnought than a highly focused player’s tool, though singer/songwriters who prefer a direct mahogany voice will find plenty to like as well. The Molly Tuttle Signature D-X2E is the pragmatic counterpart: much of the same fretting-hand feel and personality, with a build better suited to flights, weather changes and plugged-in gigs.

Martin 000-28 Shawn Mendes

What to Know:

• The 000 body and 24.9" scale create a comfortable, responsive platform for songwriting, fingerpicking and vocal accompaniment.

• East Indian rosewood back and sides and Golden Era scalloped X-bracing give the limited 000-28 a lively, overtone-rich response with strong articulation.

• Production is limited to 88 signed and numbered guitars; the 000-10E offers a sustainable, amplified companion with the same full-size body concept at a more accessible level.

The Martin 000-28 Shawn Mendes feels made for the moment before a song becomes a production. It is comfortable enough to sit with for hours, responsive enough to make a quietly picked idea feel complete and full enough to support a vocal without forcing the singer to compete with a booming low end. Strummed hard, it opens up rather than collapsing into compression; played softly, the rosewood adds color and sustain around simple chords. The neck is more contemporary than the slotted headstock suggests, so the guitar offers vintage atmosphere without demanding vintage technique.

With only 88 available, this version naturally speaks to collectors, but its real strength is how usable it feels as a writing and recording instrument. The Shawn Mendes 000-10E is the one to choose if the same intimate 000 concept needs to earn its keep onstage and on the road.

Martin Special Edition OMJM John Mayer

What to Know:

• The long scale, low-profile neck and 1-11/16" nut create a distinctly slim, familiar feel for Mayer-style, thumb-over chords, melodic fills and fingerstyle passages.

• Engelmann spruce, East Indian rosewood and scalloped hybrid X-bracing produce a balanced, responsive voice with tight lows, warm mids and crisp highs.

• Fishman Gold Plus Natural I electronics make the standard OMJM performance-ready; the gray 20th Anniversary model changes the presentation, while the acoustic-only OM-45 elevates woods, bracing and ornamentation to collector level.

The Martin Special Edition OMJM John Mayer makes immediate sense once you wrap your hand around a chord. The slim neck and narrow nut give the thumb easy access over the top, while the long scale keeps altered tunings and articulate fingerstyle patterns from feeling loose. Sonically, it lives in a useful middle ground: more low-end reach and harmonic bloom than a dry mahogany guitar, but with enough focus that complicated voicings do not smear together. It can accompany a vocal, carry a solo arrangement or plug straight into a stage rig without asking the player to change instruments.

The gray-sunburst OMJM 20th Anniversary is the same basic proposition with a more striking stage presence. The ultrapremium OM-45 John Mayer 20th Anniversary is a different animal: more complex, more luxurious and aimed at the player or collector who wants the fully realized acoustic version rather than onboard electronics.

Martin 00-18 Joe Bonamassa

What to Know:

• The 00-14-fret body and 24.9" scale create a compact, responsive platform well suited to blues, folk, fingerstyle playing and recording.

• A spruce top, genuine mahogany back and sides and Golden Era scalloped X-bracing give the 00-18 a warm, punchy and articulate voice, while the custom gloss sunburst reproduces the wear of Bonamassa’s 1937 original.

• The 00-10E Retro retains the 00 body and signature sunburst in a satin spruce-and-sapele build, adding a Performing Artist neck and Martin E1 electronics for accessible, stage-ready versatility.

The Martin 00-18 Joe Bonamassa is a reminder that a blues guitar does not need a huge body to sound authoritative. The 00 sits close, reacts quickly and puts the midrange right where alternating-thumb patterns, snapped bass notes and vocal-like bends can do their best work. It has less boom than a dreadnought and less lingering overtone than a rosewood 000, which means the player controls the drama: dig in, and it barks; ease up, and it becomes woody and intimate. The neck offers enough room for fingerstyle accuracy without making first-position blues shapes feel like a stretch. Its recreated wear may draw the first glance, but the compact, direct voice is the reason to keep playing it.

The 00-10E Retro Joe Bonamassa loosens the vintage brief in useful ways, trading some of the 00-18’s refinement for an easy modern neck, onboard electronics and a build you would be less nervous about taking to a bar gig.

Martin DX Johnny Cash

What to Know:

• The all-black design directly references Cash’s custom D-35, an instrument that became part of his stage identity throughout much of his career.

• HPL top, back and sides make the DX durable and less sensitive to environmental changes than an all-solid-wood acoustic.

• A Performing Artist neck with High-Performance Taper supports easier playability, while Fishman electronics make the dreadnought ready for amplified performance.

The Martin DX Johnny Cash is built for the player who wants to walk onstage, hit an open chord and establish the mood before singing a word. Its dreadnought body supplies the broad, forceful rhythm sound that suits country, folk and stripped-down rock, while the modern neck keeps long sets of first-position chords comfortable. This is not meant to imitate the nuance of Cash’s custom solid-wood D-35; it captures the attitude of that guitar in a sturdier instrument that can tolerate travel, changing rooms and outdoor stages. Plugged in, it is straightforward and functional, leaving space in the mix for a low vocal rather than demanding attention with an overly elaborate acoustic voice.

The black finish, stars and “CASH” lettering honor the custom black D-35 he played onstage for roughly two decades, but they work because the guitar underneath is practical enough to be played rather than merely displayed.

Martin Custom K-1 Major Kealakai

What to Know:

• Kealakai’s oversized 1916 custom Martin was created for greater concert hall volume and became an important precursor to the dreadnought.

• The K-12-fret body, wide 1-7/8" nut and Authentic 1931 neck create a historically grounded feel that differs substantially from modern 14-fret Martins.

• A VTS Adirondack spruce top, sinker mahogany back and sides, hide glue and Authentic 1931 X-bracing make this an acoustic-only historical tribute built with Custom Shop-level materials and methods.

The Martin Custom K-1 Major Kealakai feels like an encounter with an alternate branch of acoustic-guitar history. The large 12-fret body moves a great deal of air, but its voice is not simply dreadnought-like: notes bloom with a broad, old-world warmth, and the bridge’s position on the lower bout gives chords a deep, rolling foundation. The wide neck asks the fretting hand to slow down and play deliberately, rewarding open voicings, fingerstyle arrangements and players who value space between the strings.

It is physically and ergonomically far removed from a modern performance acoustic, which is precisely its appeal. Kealakai—a guitarist, multi-instrumentalist and conductor of the Royal Hawaiian Band—asked Martin in 1916 for a larger instrument capable of filling concert halls during Hawaiian music’s enormous rise in popularity. His one-off helped point Martin toward the dreadnought, making this tribute not only an evocative guitar to play but a recovery of the Hawaiian contribution to the modern acoustic’s development.

Martin Rich Robinson Custom D-28

What to Know:

• This is a detailed recreation of Robinson’s father’s 1954 D-28, including its aged appearance, neck feel, tuners and other individual traits.

• Rearward-shifted non-scalloped X-bracing creates a controlled, balanced foundation distinct from the more open response of many modern scalloped-brace D-28 variants.

• The custom 1954 Rich Robinson Barrel and Heel neck, 1-11/16" nut, hide-glue dovetail construction and softened bridge wings make the model unusually specific to its source instrument.

The Martin Rich Robinson Custom D-28 is for players who prefer a D-28 with some resistance and backbone. It does not have the loose, bass-heavy rush of a forward-shifted scalloped dreadnought; chords stay composed, the midrange remains present and the guitar gives back more as the right hand leans in. That controlled power is especially useful for rock rhythm, open tunings and recording dense arrangements where an overly expansive acoustic can consume too much space. The barrel-like neck is substantial and unmistakably old school, creating a sense of leverage that players with a strong fretting hand may love.

More importantly, the aged details belong to a real family instrument rather than an invented relic treatment. Robinson learned on his father’s 1954 D-28, wrote with it and used it on every Black Crowes record; “The Appalachian” recreates the feel and wear of that particular companion, including small comfort choices such as softened bridge wings.

Pick Your Martin

Now that we've taken a look at what's available in the Martin Standard Series, it's time to ask the question, "Which one is right for me?" Do you like small and simple, or big and luxurious? Do you play fingerstyle, flatpick, or just strum it? Whatever you like, there's a Martin to suit your playing style, and the best way to find out which one is to come into your local Guitar Center store, pluck a guitar off the wall and play it.

Pictured: Martin D-45 Dreadnought Acoustic Guitar

Our knowledgeable associates are there to answer any questions you may have. Or, if you can't make it to a store, give us a call and your personal Gear Adviser will be glad to help you find the instrument that will get your musical life in tune.